About the curator:
Antonia Papatzanaki, born in Chania on the island of Crete is a renowned international Creek artist. She was educated in the Athens School of Fine Arts, the Vienna Hochschule für Angenwandte Kunst, and she acquired her Master’s degree of Fine Arts from Pratt Institute in New York. Papatzanaki is the recipient of many prestigious awards in addition to winning multiple Panhellenic and international competitions held to choose and fund artists for the creation of public installations. Her public light installation Agora was exhibited at Battery Park during 2000-2001 as part of the Temporary Public Art Program of New York City. Several of Papatzanaki’s outdoor public works are permanently installed throughout Greece, including her sculpture Lighthouse in the square of the Kato Patisia Metro Station, Athens. Papatzanaki has exhibited widely—notable among her many solo exhibitions are Stratifications, John Jay College of Criminal Justice, New York, 2016; Refractions, Ekfrasi - Υianna Grammatopoulou, Athens, 2013; Robust Matter and Image, Museum of Contemporary Art of Crete, Rethymnon, 2010; Antonia Papatzanaki, Recent Works, Tsatsis Projects / Artforum, Thessaloniki, 2008; and Visions of Light, Chashama, 112 Gallery, New York, 2007. She has also participated in numerous group exhibitions in Europe, Asia, and the United States, including The Muses Project, A Dialogue between Art and Science, The House of Cyprus –Embassy of Cyprus, Athens, 2017; The Right to be Human, Thessaloniki Center of Contemporary Art –State Museum of Contemporary Art, Thessaloniki, 2017; Whispers, Museum of Contemporary Art of Crete, Rethymnon, 2016; History-Irony, Vorres Museum, Paiania, Athens, 2015; Harmony, 22nd Seoul International Art Festival, Chosunilbo Museum, South Korea, 2014; New: Illusion or Reality, 4th Biennial, Tashkent, 2007; and Artistic Fragments, Katonah Museum of Art, Katonah, New York, 2005. Further work has been acquired by the National Museum of Contemporary Art, the Copelouzos family collection, the Vorres Museum, the Museum of Contemporary Art of Crete, and the American College of Greece. Articles, reviews, and critical analyses of Papatzanaki’s work appear in solo- and group-show catalogues in addition to books on art, art periodicals, newspapers and magazines in Greece and New York. She currently maintains studios in Athens, Greece and New York City.